Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofías purse. They are really for Marcelos younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelos wallet and takes for granted that he is cheating on her. Pepe, Marcelos cousin, pretends to be him to impress a girl, further complicating the mix up.
On New Year's Day 1964, Jimmy Savile ushered in a revolution in television broadcasting - a weekly show devoted to the pop charts. In the first of an evening of programmes marking the 30th anniversary of Top of the Pops, Smashie and Nicey (Harry Enfield and Paul Whitehouse) pay tribute to this triumphant survivor from the days when the Beatles topped the chart with I Wanna Hold Your Hand. Three poptastic decades surrender their fab sounds, their hits and their haircuts, for our nostalgic enjoyment - from the Moptops to Take That, from the Stones to Madonna.
The career of W. S. Gilbert, a barrister turned comic librettist, and Arthur Sullivan, a composer turned against his will to light music, who together wrote fifteen comic operas between 1871 and 1896, to great public acclaim.
Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale
The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
Set in rustbelt Buffalo circa 1980, Queen City follows the gritty struggle of two flawed detectives from both sides of the tracks whose private and public lives cross as they cope with strain in search of redemption and forgiveness.
A love triangle occurs between the publisher's daughter Betty Moody. comic book artist Tim Jones, and the company's wily manipulative manager Hilton Payne. In addition, Betty's dad, Phineas Moody suffers from severe melancholy; and an emergency cure of laughter is required to save his health.
A short film exploring queerness, blackness and religion.
A failed poet ends up becoming a gag writer for a bombastic comedian.
Combining European musical influences, perfect production and lyrics of love and loss, ABBA made us fall in love with the sound of Swedish melancholy. This documentary explores the music of ABBA and chronicles how they conquered both Sweden and Britain in the face of constant criticism.
A collage of Derek Jarman's super 8 footage spanning over 20 years.
Bob Hope returns to his stage role in this updated theatrical TV presentation of the musical
One of opera’s grimmest tragedies received a powerful new production during the 2021–22 season when director Bartlett Sher unveiled his Weimar-era staging of Verdi’s Rigoletto. In this performance, recorded as part of the company’s Live in HD series of cinema transmissions, commanding American baritone Quinn Kelsey gives a searing portrayal of the title character, a deformed court jester determined to protect the virtue of his daughter, Gilda, sung by radiant soprano Rosa Feola. His debauched employer, the Duke of Mantua, is tenor Piotr Beczała, with dynamic young maestro Daniele Rustioni on the podium to lead a cast that also features bass Andrea Mastroni as the assassin Sparafucile and mezzo-soprano Varduhi Abrahamyan as Maddalena.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
The young Zuzanka, Honzik and Goat look for the children's parents, whom the devil has apparently kidnapped to punish them for producing devilishly good goat cheese. However, the children find their parents not in hell, but in the castle, where they must make cheese for Kobyl, the king's advisor. Kobyl gained the king's good graces thanks to the cheese. After a dangerous and corny adventure, Kobyl ends up in hell and the family members are reunited.
Theatrical producers discover a new musical-theatre star in a small farming town.
A very visual and profound dramatization of the various sections of Carmina Burana, a symphonic piece composed by Carl Orff about medieval poetry by an anonymous author.
Celestin works as an organist at a girl's school. By day, Celestin is the meek and mild target of the girls' incessant practical jokes. By night, however, he is the celebrated composer of popular operas -- and the romantic vis-à-vis of a celebrated stage star. When schoolgirl Denise stumbles onto Celestin's secret, she threatens to tell all -- but only if Celestin refuses to escort her to the opening night of his latest opera. As a result, Denise falls in love with a handsome young soldier, while Celestin is accidentally shipped off to an army camp. A series of silly coincidences brings happiness to all concerned by fade-out time.
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