Orphaned Ravi Kumar lives in Poona, India, with his maternal uncle. As he wants to pursue a career as a singer/dancer, he re-locates to Bombay, so that he could audition for the All India Talent Association.
Recorded October 4, 2001, at the Grand Olympic Auditorium in Los Angeles, California. A group of hard-core rockers who spun social upheaval into something fresh, brash and dynamic, The Cult emerged out of Britain's music scene in the early 1980s and quickly rose to the forefront of "Positive Punk." From Ian Astbury's first powerful note to Billy Duffy's last thundering guitar riff, The Cult knows how to rock an audience and this Los Angeles concert is no exception! Songs: Intro/Rise, In the Clouds, Lil' Devil, Peace Dog, Take the Power, My Bridges Burn, Rain, Edie (Ciao Baby), The Witch, Breathe, Fire Woman, Sweet Soul Sister, Wild Flower, She Sells Sanctuary, True Believers, War (The Process), Love Removal Machine.
A behind-the-scenes documentary pieced together from over 100 hours of footage showing not just the preparation that went into Katy Perry's Super Bowl performance but the nerve it took to pull off such a massive, career-defining performance.
In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.
Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.
Radiohead performs at NOS Alive! festival on July 8, 2016 Setlist: 1. Burn the Witch 2. Daydreaming 3. Decks Dark 4. Desert Island Disk 5. Ful Stop 6. My Iron Lung 7. Talk Show Host 8. Lotus Flower 9. The Gloaming 10. Exit Music (for a Film) 11. The Numbers 12. Identikit 13. Reckoner 14. Everything in Its Right Place 15. Idioteque 16. Bodysnatchers 17. Street Spirit (Fade Out) // Encore: 1. Bloom 2. Paranoid 3. Android 4. Nude 5. 2 + 2 = 5 6. There There // Encore 2: 1. Creep 2. Karma Police
Celebrated filmmaker Tony Palmer follows Leonard Cohen on his 1972 European tour. The film, after extensive re-editing from its initial version, opened in London in 1974. It was shown on German television, but it disappeared for decades and was considered a lost film. Its original version, restored by the director, was released on DVD in 2010 and had its first theatrical release in 2017.
“The Black Sabbath Story, Volume One” traces the roots and origins of Black Sabbath on an album by album basis and features rare performance footage including N.I.B. Paranoid, and War Pigs. Watch Ozzy and company slay the 300,000 plus crowd at California Jam 1974 with a blistering rendition of Children of the Grave. Black Sabbath is a highly visual band and one of the earliest metal groups to experiment with promotional videos. Their hilarious video for Sabbath Bloody Sabbath captures the spirit of similar videos put out by The Beatles. There are a couple of other songs here captured live from the “Never Say Die” tour including Snowblind, Symptom of the Universe, and Rock ’n’ Roll Doctor. All of these performances are professionally shot and Warner Bros. shows them uncut and without narration. “The Black Sabbath Story, Volume One” covers all the bases of the Ozzy years.
When the immigrants came to America, their cultures entered the "great melting pot." In Michigan's Upper Peninsula Finnish immigrants mixed their musical traditions with many other cultures, creating a sound that was unique to the "Copper Country."
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.
The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.
A bored boy decides to go out and have some fun, but what to wear?
Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
Shakespeare’s tale of teen love reimagined as a rock opera set in a beachside caravan park. A triumphant blast of style and 21st-century Kiwi trailer trash pop. Classic tragedy probably shouldn’t be quite this much fun.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
"Chile On Hell" was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax - Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax's entire catalogue - all the fan-favorites including "I Am The Law," "Indians," "Madhouse," "Caught In A Mosh," "The Devil You Know," and "I'm Alive." "Santiago was the perfect place to film the show for this," said Anthrax's Charlie Benante. "When we'd played there in the past, we'd finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn't stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn't we want to film a DVD in front of an audience like that?
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