In 1975, as the Vietnam War was ending, thousands of orphans and Amerasian children were brought to the United States as part of "Operation Babylift." Daughter from Danang tells the dramatic story of one of these children, Heidi Bub (a.k.a. Mai Thi Hiep), and her Vietnamese mother, Mai Thi Kim, separated at the war's end and reunited 22 years later. Heidi, now living in Tennessee - a married woman with kids - had always dreamt of a joyful reunion. When she ventures to Vietnam to meet her mother, she unknowingly embarks on an emotional pilgrimage that spans decades and distance. Unlike most reunion stories that climax with a cliché happy ending, Daughter from Danang is a real-life drama. Journeying from the Vietnam War to Pulaski, Tennessee and back to Vietnam, Daughter from Danang tensely unfolds as cultural differences and the years of separation take their toll in a riveting film about longing and the personal legacy of war.
A colossal epic film like this that tries to depict the life and glory of Julius Caesar, must have a variety of scenery appropriate to the film's hero. This includes the Senate and its conspirators..or .. strange places beyond Rome full of barbarians that must fall under the Rome yoke. Let's not forget the sequences depicting the masses mentioned before.. or.. the human side of Caesar and his troublesome relationship with his son Brutus.
48 NOIDED MOVIES, 2025 Single-channel video, color and stereo sound, duration: 3:26:32 Full HD, dimensions variable Not for sale 48 NOIDED MOVIES is a derivative experimental film/edit in which 48 movies are layered, collaged, and animated simultaneously to extreme paranoid effect.
During World War II, Germany aims to conquer Turkey with an operation which is Ankara Express. German spy Hilda and Turkish major Seyfi engage in a dangerous relationship while they work for the Ankara Express operation.
1952, The Radiant City of Marseille receives its first occupants, eighty civil servants and compensated from war, coming from the four corners of France. Some are led by the promise of Le Corbusier’s ideals. Upon arrival, a couple experiments the location, facilities, and space allotted to them. They each respond to the new habitat. Its uniqueness, its details. The body questions the utopia. New Eden born under the reconstruction, the radiant city floats on the after-war as nothing happened. On board, settled cold, loneliness and sterility.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
Why do 600 inhabitants of the small southern Spanish town of Coria del Río bear the surname "Japón"? It is the legacy of an unusual expedition that took place 400 years ago: In October 1613, the samurai Hasekura Tsunenaga boarded the galleon "San Juan Bautista" on behalf of the ruler Date Masamune in Sendai, Japan. In addition to merchants, warriors and Spanish sailors, the Spanish Franciscan monk Luis Sotelo, who spoke fluent Japanese, also embarked. The legation wanted to obtain permission from the Spanish King Philip III and Pope Paul V to open a new sea route to India alongside the spice route; in return, Christian missionaries were to be sent to Japan. When he set off, Hasekura Tsunenaga had no idea that the journey would take seven years. Who was this Japanese samurai? What is known about his motives and what is known about the actual background to the expedition?
A 101-hour long reflection on the construction of Europe, its cultural identity and its foundations through the complete adaptation of the texts ‘Conversations with Goethe’ by J. P. Eckermann, ‘Hitler’s Table Talks’ and ‘Fassbinder über Fassbinder: Die ungekürzten Interviews’ (a compilation of interviews with the German filmmaker Rainer Werner Fassbinder, which is used as a counterpoint to the first two books). The texts are read, page by page, by non-professional actors.
A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.
After more than six years of work, London's iconic landmark is finally restored to its original glory, brightening the skyline once more with its sparkling colours, golden shine and spotless masonry.
Zakhar Psaltyrev went through many ordeals in the royal fleet, where massacres and bullying of people became a custom. Only thanks to his natural intelligence and perseverance, the illiterate peasant boy managed to avoid the fate of many of his comrades, who became drunkards and lost their human dignity. Captain 1st Rank Lezvin, commander of the cruiser "Svyatoslav", himself suffocating in the difficult atmosphere of the tsarist autocracy, fatherly fell in love with his messenger for his simple Russian soul, quick-witted mind, love for the homeland and hatred of oppression. Zakhar learned a lot from Lezvin, but soon they had to part. Zakhar becomes an active underground Bolshevik.
Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.
Old photographic plates were found from Louejärvi village in Rovaniemi. Young photographer Hilja Paloniemi was given the job to help to clean the photographic plates. It was found out that the old photos were taken by Matti Körkkö in the early 1900s, including pictures of legendary Nätti-Jussi.
For more than 50 years, Durvinha and Moreno hid their real identity even to their own children, who grew up thinking their parents' names were Jovina Maria and Jose Antonio Souto. They had belonged to the gang of the most famous Brazilian bandit's leader. The truth was revealed when Moreno, at the age of 95, decided to share the weight of memories with his children and meet alive relatives, including his first child. The 'cangaceirismo' was a form of 'social banditry' born in northeastern Brazil in the early XX century in a scenario of extreme poverty, violence and anarchy.
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