A lone man sets out to hunt. Soon enough he himself is the one being hunted.
Radical recurrences & rancorous requests raze my daze.
The dogma who escapes the freakshow will find out that the world can be an even worst scenary, while a lone cowboy searching for his lost love will fight his demons...
In this unforgettable, heart-warming, heart-pounding adventure, U.S. Marshals Bill Gunter and Wichita Slim hit the trail to track down the outlaws who have kidnapped Bill Gunter’s six-year-old nephew, Ty. Indians, outlaws, ambushes, and the plan of the enemy can’t stop the covenant these men have made with God, each other, and young Ty’s mom. Even the wicked Saul Gillespie plots to get the marshals before they get him.
Western Movies with monkeys in the roles. The son of mom and dad Monkey gets home too late after a wet night. The father, tired of this behavior has enough and throws his son out of the house.
Bill is discharged from Bar K Ranch and in his desperation decide to turn train robber. On his way to town he rescues Myrtle Mulligan, who has been driven from protection to the high branches of a tree by a vicious bull. Arriving in town Bill applies to the superintendent of the railroad and secures a job as track walker. Pinto Joe, a friendly Indian, learns of Bill's train wrecking plans, and tells Myrtle about it. Hearing Bill intends to dynamite the bridge the plucky girl decides to take a hand in the game. Arriving on the scene just after Bill has lighted the fuse she fearlessly picks up the cartridge and throws it where it can do little damage. Rushing up the bank to the track she flags the oncoming train. When the passengers and trainmen cluster about her to learn the cause of the explosion she tells them that Bill saved their lives by finding the burning fuse just in time to prevent the blowing up of the bridge.
Wyoming, 1890. A drunken cowboy finds himself tied to a tree in the middle of nowhere with no recollection of how he got there. His kidnapper, another cowboy, tries to get him to remember the events that lead up to it as the two tell stories contradict each other. Only one is telling the truth.
Filmed in Nevada's barren Black Rock Desert in July 1969, "Hard Core" opens with an establishing shot of an expansive blue sky immediately evoking the American West, which sets the scene for De Maria's innovative and experimental film. The work intercuts two differing cinematic approaches: one that explores the observational potential of the medium through wide-angle, 360-degree shots that pan over the changing desert landscape, and the other that appropriates familiar visual tropes taken from the Hollywood Western movie genre—such as pistols, Levi's jeans, boot spurs, and leather chaps—and implements them in a performance. The soundtrack is an edited compilation of two of De Maria's "drum compositions," "Cricket Music" (1964) and "Ocean Music" (1968), which creates a sense of anticipation for the viewer. In the last minute of the film, a series of unexpected events unfolds in rapid succession, producing a dramatic climax.
The Joes of the Quad hear the war cry and take arms.
Under the shade of a lemon tree, Osvaldo is at the grill while talking with Horacio, his new neighbor. Everything is going well until Osvaldo discovers Horacio's trade: Uber. Horacio also discovers Osvaldo's: Taxi driver, rivals.
On a sunny day, the glorious Bike God walks across the Earth's soil and faces one of his greatest enemies, the Car God, in an epic battle that will go down in history.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
From Muybridge and Porter, passing by John Ford and Howard Hawks, all the way to Sergio Leone, Quentin Tarantino and the Coen brothers, a story of a cowboy trying to escape death cut from over 100 films.
A largely intact 1911 Australian film, produced by the Photo Vista Company for Pathe Freres; A drama about a miner who is swindled out of his gold claim.
Two convicts escape from prison in the Wild West and disguise themselves as a horse. Sugarfoot sees the "horse" and falls in love. Later, Woody and Sugarfoot learn about the phony pony, and they try to send the convicts back to jail.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
A sheriff enters a new town not knowing what to expect. He finds violence and friendship on his journey.
Young Jonah's faith carries him and his young sister, Celine, to the last borderland town, Harpdale, in order to escape captivity. They seek out his mother's old friend, the famous reformed gunslinger Kulta; but what they find is more than what anyone bargains for. Set in a Sci-Fi Western town with the air of a Steampunk theme, this tale will begin a journey of high adventure.
Juan leaves for Rawlins, Arizona, where he wants to find a job so he can marry his fiancee Juanita, because Juanita's mother says a man must have quite substantial savings before he can marry her daughter. Juan takes a job with the railways. When a former employee raids the money train on which Juan is working, he manages to escape with the aid of a trolley, as a result of which the attack can be thwarted. For his courageous act Juan gets two thousand guilders as a reward.
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