A man living blissfully in his poolside villa finds himself unable to enjoy the summer sun after a visit from a mysterious figure.
One by One is a brutal revenge-western on motorbikes. A woman called Sentenza is out for revenge on three biker bandits who assaulted her and killed her husband. It contains one of the most vicious scenes in cinema.
Road Agents begins as a pair of outlaws prepares to rob a stagecoach. Donning masks and brandishing six-guns, the bad guys relieve the passengers of their valuables and also make off with a box full of payroll money. As the sheriff organizes a posse, the bandits are seen dividing their loot. The greedier of the two crooks beats up his partner and absconds with their ill-gotten gains. The other bandit, thirsting for revenge, joins the sheriff's posse to track down his former chum.
Juan leaves for Rawlins, Arizona, where he wants to find a job so he can marry his fiancee Juanita, because Juanita's mother says a man must have quite substantial savings before he can marry her daughter. Juan takes a job with the railways. When a former employee raids the money train on which Juan is working, he manages to escape with the aid of a trolley, as a result of which the attack can be thwarted. For his courageous act Juan gets two thousand guilders as a reward.
The Deputy must help the Sheriff bring a notorious outlaw to justice. But the outlaw's gang will stop at nothing to rescue their leader.
An unknown man stumbles across a wasteland in search of water...
A young woman named Remington (Ann Howe) arrives out West and soon meets the old man known as Wilbur (Val Harris). Soon after the brief introductions we get Wilbur's stories on romance and women while Remington does a dance.
The Life of an American Cowboy is a Western short film.
The homosexual cowboy duo Rocky and Hudson become involved in two plots. In the first, they need to fight a dangerous scientist, and in the second, they go in search of the Sacred Totem.
An infamous band of thieves continues to succeed in robbing private caravans and government carriages as they pass through the countryside, puzzling the authorities. Soon, though, a mysterious masked man begins to upstage the gang of thieves by robbing the cargoes before the thieves can, and then returning the stolen money after the robbers find the travelers empty-handed. Soon, both the government and the band of highwaymen are trying to discover the identity of the "Jinete Fantasma.
A stranger attempts to murder the sheriff of a small town. Quickly he realizes that his plan has some flaws.
To rid the range of a gang of outlaws that are rustling cattle and robbing the banks and stagecoaches, cowhand Bob Calem, working on the gang-leader's superstitions, dons a skeleton-costume to strike fear into the gang.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Silent footage from Buffalo Bill's Wild West Show: Johnny Baker, aka 'Cowboy Kid', shows his sharpshooting skills.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
Two men meet in the wild west for a good old fashioned quick draw shoot 'em up situation.
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