Part one of a BBC documentary about Jean Renoir.
The extraordinary story of the planet’s most famous contemporary scientist, told in his own words and by those closest to him. Made with unique access to Hawking’s private life, this is an intimate and moving journey into Stephen's world, both past and present.
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
A behind-the-scenes documentary of how Hannibal spent the week leading up to the filming of the special Animal Furnace.
Ian Nathan, Neil Norman and Stephen Armstrong run through their top 25 sci-films of the last century, including The Matrix and Planet of the Apes.
Louis Ortiz, a down on his luck 40-something Puerto Rican resident of the Bronx, looks in the mirror one day and believes he’s found gold—he’s a dead ringer for Barack Obama. With visions of finally living the American Dream, the charismatic Ortiz launches a complete makeover. He dons Obama’s trademark suit, adopts his mannerisms, mimics his voice and steps out onto the street as a presidential impersonator. Taken on by a casting agent, Ortiz and a gang of other political impersonators, including a Bill Clinton and a Mitt Romney, hit the road during the run-up to the 2012 presidential election to perform satirical debates for mostly Republican conventions, throwing Ortiz into conflict with his personal political beliefs. As Ortiz struggles to make ends meet, the distance between the White House and the Bronx becomes increasingly acute. The life of a president isn’t always as easy as it looks.
In this two-hour special, NOVA captures the turmoil that tore apart the community of Dover, Pennsylvania in one of the latest battles over teaching evolution in public schools. Featuring trial reenactments based on court transcripts and interviews with key participants, including expert scientists and Dover parents, teachers, and town officials, "Judgment Day: Intelligent Design on Trial" follows the celebrated federal case of Kitzmiller v. Dover School District.
The Gorge is a compilation from Dave Matthews Band's three-night concert in 2002 at The Gorge Amphitheatre in George, Washington. The album was released in a three-disc set featuring 2 CDs and a DVD with live footage, behind the scenes clips, and a music video.
In times of rampant populism and increasing distrust of the elite, the filmmaker accompanies the 81-year-old founder of the controversial World Economic Forum over the period of one year in his efforts to implement his leitmotif: to improve the state of the world. Can the WEF contribute to solving global problems? Or is it rather an integral part of the problem?
Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives -- their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film.
Bigger and Blackerer was taped during two shows, back-to-back on the same evening at Boston's Wilbur Theatre. Only by watching this video will you learn of Cross unique relationship with the deaf community, share his canny insights into the editorial machinations behind the Bible, and marvel at how well a bald, middle-aged white guy can fill out a pair of jeans.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
During the worst days of World War II, the British government asks the mathematician Alan Turing to unravel the mysteries of the German Enigma encryption machine, an impossible task to accomplish without the invaluable information that Hans-Thilo Schmidt, a disenchanted but greedy German citizen, had been handing over to the French secret services since 1931.
A long overdue documentary that tells the story of 2000AD, the unsung cult hero of the comics industry. This film will celebrate and pay respect to the comic and explore its importance and influence on contemporary pop culture.
This is the definitive video biography of rock 'n roll legend Buddy Holly. Produced and hosted by former Beatle, Paul McCartney, includes interviews with Keith Richards, Phil and Don Everly, Sonny Curtis, Jerry Allison, Holly's family, and McCartney himself, among others.
George Carlin performs a hilarious set of never-before released material in "Complaints and Grievances." His 12th HBO special was recorded live at the Beacon Theater in New York City on November 17, 2001. In "Complaints and Grievances," Carlin shamelessly exposes the people and subjects that irritate him the most.
In French, "scénario" is cinema's name for how it tells stories. This is the title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. The two segments of this film open with a series of identical sequences. The second segment then diverges and ends on a self-portrait of Jean-Luc Godard -his last images- sitting on his bed, bare-chested, he hides none of the wear on his body in the manner of Pigalle's sculpted portrait of Voltaire. "Scénarios" ends as it began, with a repetition, the figure of eternal return, the moment where time, which has been the great -if not unique- question of cinema, will have ceased to flow.
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