A full-length movie recap of the Maison Ikkoku series that focuses on the relationship between Godai and Kyoko. The entire special is taken from footage of the TV series.
It all began quite suddenly. Akihito, who appears human but is actually half yomu with the power to quickly heal himself, sees a freshman girl who appears ready to jump from the school rooftop. The girl, Mirai, who has the ability to manipulate blood, which is unique even among members of the spirit world, continues to fight her isolation. Akihito decides at that moment to save Mirai, but disturbing events soon begin to unfold.
The battle is over, and they can go about their normal lives now... or so they thought. With no time to rejoice after miraculously saving Mirai from Beyond the Boundary, Mirai lost all her memories. Akihito, now a high school senior, starts to avoid Mirai thinking it’s for the better. Not aware of Akihito’s feelings, Mirai tries to get closer to Akihito. Then, someone who knows of Mirai appears in front of the two. With Akihito’s troubles in vain, Mirai once again sets forth on a battle that forces her to look within.
After Nami steals the Going Merry, Roronoa Zoro, Usopp, and later Monkey D. Luffy and Sanji (along with Johnny and Yosaku) set after her and wind up in Cocoyasi Village, Nami's hometown ruled by the tyrannical fishman Arlong. It is here that Nami's past and true motives come to light.
On a test-run of the Mini Merry, Usopp tells Brook the story of the Going Merry, a ship that served the crew well. However, to the Straw Hats, the Going Merry was not just a ship: It was a priceless, irreplaceable friend. *Scenes have been recreated with brand-new animation.
Chie Takemoto is a dependable girl who struggles to help her troublesome father run a small tavern in Osaka. Unbeknown to her dad, she occasionally visits her mother who left him not too long ago. She plans on trying to reunite them, but not until her father gets a job.
A highly experimental film presenting a story out of chronological order taking place 15 years after a near-apocalyptic catastrophe, about four traumatized 14 year olds who are tasked with piloting massive humanoid decisive weapons called Evangelion, the psychologically maladjusted adults who handle and command them, and the events and forces that affect them or which they take part in as they engage massive hostile invaders known as "Angels."
Ryo Saeba works the streets of Tokyo as the City Hunter. He's a "sweeper" and with his sidekick Kaori Makimura, he keeps the city clean. People hire the City Hunter to solve their dangerous problems, which he does with a Colt Python. When Ryo's not working on a case, he's working on getting the ladies, and Kaori must keep him in check with her trusty 10 kg hammer.
Finally, the day of Mai's high school graduation has arrived. While Sakuta eagerly waits for his girlfriend, an elementary schooler who looks exactly like her appears before him. Suspicious, and for all the wrong reasons... Meanwhile, Sakuta and Kaede's father suddenly calls, saying that their mother wants to see her daughter. She was hospitalized because Kaede's condition had been too much for her to bear, so what could she possibly want now?
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
The killer class is back in session—sort of. Relive every moment through the eyes of the top two students: Nagisa and Karma!
While under the care of the Outer Sailor Guardians, Hotaru begins to age rapidly. Then, the time comes for all the Sailor Guardians to reunite!
Two tiny, aquatic humanoids search for their missing father, a boy battles a lethal allergy to eggs, and an invisible salaryman tries to become a hero.
Makunouchi Ippo is the new Featherweight champion of Japan and is now ready for his first title defense. His opponent, the former Jr. Featherweight champion and a medical student, Sanada Kazuki. In addition to this feud, Sanada is being coached by Kamogawa's former rival, Hama Dankichi. What makes things worse is that Sanada works at the same hospital where Kumi is a nurse at and everybody at the hospital wants Sanada to win. Not only does Ippo have to defend his title, he has to reclaim his love.
When apathetic gamer Nagi agrees to join his rich classmate Mikage in soccer, their partnership leads to the famous Blue Lock program — and to changes.
Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.
L's successor must ponder L's defeat if he hopes to succeed where his famed predecessor failed. At the headquarters of the SPK, he calls upon the Japanese task force to declare war on Light. A recap of Death Note episodes 27–37, with new footage.
Sewashi and Doraemon find themselves way back in time and meet Nobita. It is up to Doraemon to take care of Nobita or else he will not return to the present.
Something sinister's afoot in Kasukabe. Shin-chan doesn't know what it is, but he's pretty sure it involves samba-dancing doppelgängers.
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