Zhang Yingchuan, a descendant of the Faqiu clan, took his niece Ono to live in seclusion after an accident when he was visiting the grave to find medicine.
Bal Ganesh's friend Mooshak plans to go to a planet named Zeba with his friends, but his spaceship crashes and they land on a planet named Pomzom where his group is held captive, until Bal Ganesh saves the day.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
A romantic comedy concerning the tribulations of a love quadrangle during a night of magic & madness.
The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.
Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.
Two American GIs are the only survivors of a unit wiped out in a battle with Japanese troops on an isolated island. The two, who don't like each other, find try to put aside their differences in order to evade the Japanese and survive.
Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.
One looks up toward the sky, then down towards the water, but never straight ahead. Part eight of the short dance film anthology co-created by filmmaker Beau Han Bridge and Choreographer Jullianna Oke.
Two madmen wish to avenge the historical Peruvian ship "Monitor Huascar" under the command of Capitain Grau: a hero, and a symbol of the 19th century war lost to Chile.
The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures
In the countryside in Brazil, a group of boys hangs out around a gas station with its manager, Élcio. The men drink beer, do lots of macho stuff, play soccer. In the midst of this, there is an exchange of looks that demonstrates repressed desires, the need to sublimate oneself to be in tune with the rest of the world.
The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.
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